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Robert Ascroft - Echo Still Remains (2025) [96kHz/24bit] https://images4.imagebam.com/f4/c6/e3/MEZMZG6_o.jpg Robert Ascroft - Echo Still Remains (2025) 96-24 Genre: Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 38:50 Full Size: 776.3 MB Visionary director, photographer and producer, Robert Ascroft unveils a captivating musical odyssey akin to the cinematic allure of Wim Wenders' Until The End Of The World and evoking the ethereal resonance found in 4AD's This Mortal Coil. Emerging as a prominent photographer in the 2000s, Ascroft forged his path through collaborations with luminaries of the Oscars, Grammys, Tonys, and Emmys (from Cate Blanchett, Ryan Gosling, to Denzel Curry). With an innate ability to capture the essence of his subjects through his camera lens, he redefines photography, infusing it with depth, emotion, and narrative. A classically trained guitarist turned music producer, Ascroft weaves intricate melodies and evocative songwriting with cinematic narratives. Drawing from a diverse array of talented friends, Ascroft curates a mesmerizing ensemble of vocal performances featuring luminaries such as Zumi Rosow (Black Lips), Kid Congo Powers (The Cramps, Gun Club), Tess Parks, Ruth Radelet (Chromatics), Britta Phillips (Luna, Dean and Britta), Guy Blakeslee (The Entrance Band), Ora Cogan and Christoper Owens (Girls) The album takes on a further rich and dynamic sound with the recording contributions of Grammy Award winning audio engineer Ted Young (Rolling Stones, Kurt Vile, Sonic Youth), the mixing of Larry Crane (Elliott Smith, The Shins, She and Him), and mastering by Josh Bonati (Mac DeMarco, Wild Nothing, Slowdive). Echo Still Remains transcends traditional musical boundaries, beckoning listeners into a world crafted from Ascroft's vivid imagination. Each track unfolds like a technicolor scene in a cinematic narrative, with each melody and lyric evoking a sense of profound introspection and wonder. Accompanied by stylized music videos in Ascroft's distinct visual world, "Echo Still Remains" emerges as a multifaceted work of art, inviting listeners to stir the soul and lose themselves in a world of sound and sensation https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Ryan Adams - Another Wednesday (2025) [44.1kHz/24bit] https://images4.imagebam.com/51/87/58/MEZMZO3_o.jpg Ryan Adams - Another Wednesday (2025) 44.1-24 Country: USA Genre: Indie Rock, Rock, Folk Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 51:21 Full Size: 520.23 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Richard Dawson - End of the Middle (2025) [48kHz/24bit] https://images4.imagebam.com/05/a8/93/MEZMZ71_o.jpg Richard Dawson - End of the Middle (2025) 48-24 Country: Genre: Art Rock, Progressive Folk Format: FLAC (*tracks) Quality: Lossless [48kHz/24 bit] Time: 49:09 Full Size: 543.6 MB Over the past two decades, Richard Dawson has established his unique songwriting voice with some core consistent qualities. He builds his songs around simple repeating guitar parts, with lyrical narratives defining their structure and development. These melodies and stories form repeating sections-often with alternating parts that function as unconventional verses and choruses-that stretch to lengths beyond conventional rock songs. Dawson's vocals display impressive dexterity, alternating between a reedy, speech-like tenor and a higher register for melodic sections. While "Knot" features bombastic drumming and distorted guitar, most of End of the Middle surrounds Dawson's unique writing and singing with sparer arrangements. His impressive storytelling, which attracts devoted fans who memorize these complex narratives and sing along at his concerts, is highly detailed. Opener "Bolt" is the tale of a house being struck by lightning that begins with the context of mundane activities: "I'm in the hall on the phone/ Jen's in her room watching neighbors." Once lightning strikes, the wordplay gains a richness ("Cacophony of barking dog and burglar alarm/ A scorch mark in the center of my trembling palm") and the guitar and drums build in intensity to match the obvious stress in the home. "Boxing Day Sales" places the narrator and his friend under a store's awning on a frigid December day. A phrase in his conversation turns into a slant rhyme: "Are things any better between you and Tom/ I'm so tired of hearing these awful Christmas songs." Final track "More than real" leaps from the conventions that precede it. A keyboard replaces the guitar in creating the song's structure and tonality, and it's an unexpected duet between Dawson and Sally Pilkington's female voice. Where many of his songs end quickly, this one has an extended instrumental coda to bring End of the Middle to a natural close. © Steve Silverstein/Qobuz https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Mantric Momentum - Alienized (2025) [44.1kHz/24bit] https://images4.imagebam.com/bf/26/70/MEZMZ0R_o.jpg Mantric Momentum - Alienized (2025) 44.1-24 Country: Norway Genre: Power Metal, Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 54:40 Full Size: 672.2 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Löanshark - No Sins to Confess (2025) [44.1kHz/24bit] https://images4.imagebam.com/b3/94/71/MEZMYNS_o.jpg Löanshark - No Sins to Confess (2025) 44.1-24 Country: Spain Genre: Heavy Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 39:15 Full Size: 472.37 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Hangman's Chair - Saddiction (2025) [44.1kHz/24bit] https://images4.imagebam.com/4c/bf/06/MEZMYIF_o.jpg Hangmans Chair - Saddiction (2025) 44.1-24 Country: France Genre: Gothic Metal, Doom Metal Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 46:46 Full Size: 520.13 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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LEADFEATHER - Roll The Dice (2025) [44.1kHz/24bit] https://images4.imagebam.com/3a/9d/cf/MEZMYIE_o.jpg LEADFEATHER - Roll The Dice (2025) 44.1-24 Country: UK Genre: Hard Rock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 20:52 Full Size: 253.27 MB Formed in 2024 by guitarist Simon Hurts, Leadfeather is a high energy heavy rock band from London, UK. Known for their electrifying live performances and powerful lyrics, the band draws influence from the late '60s and ' 70s blues and rock sound, while creating a unique and distinctive sound that resonates with both rock purists and new fans alike https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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The Montgomery Clifts - Deadwood Chronicles (2025) [96kHz/24bit] https://images4.imagebam.com/59/cb/a3/MEZM7DQ_o.jpg The Montgomery Clifts - Deadwood Chronicles (2025) 96-24 Genre: Indie Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 39:24 Full Size: 921 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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Moundabout - Goat Skull Table (2025) [44.1kHz/24bit] https://images4.imagebam.com/59/40/7b/MEZNPEQ_o.jpg Moundabout - Goat Skull Table (2025) 44.1-24 Country: UK Genre: Psychedelic Folk, KrautRock Format: FLAC (*tracks) Quality: Lossless [44,1kHz/24 bit] Time: 37:33 Full Size: 407.9 MB https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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King Buffalo - Longing to Be the Mountain (2018) [96kHz/24bit] https://images4.imagebam.com/28/27/9d/MEZNPDJ_o.jpg King Buffalo - Longing to Be the Mountain (2018) 96-24 Country: USA Genre: Psychedelic Rock, Blues Rock, Stoner Rock Format: FLAC (*tracks) Quality: Lossless [96kHz/24 bit] Time: 41:49 Full Size: 913.3 MB "King Buffalo is a psychedelic trio in the classic format, whose expansive and thunderous music is a powerful concoction of heavy psych, blues, and stoner rock. Texturally rich and oozing with psychedelic goodness, yet honed and driving in the next blink of an eye. Their efforts coupled with their impressive live show, quickly gained them an international audience." - Sludgelord https://i111.fastpic.org/big/2019/12...b1d0bba37c.jpg Cita:
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