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11-05-2019
, 11:09:39
| #811 | |||
| Denunciante Ultra  |  The Band - Albums Collection [1968-1978] (2018) [192kHz/24bit]
 The Band - Albums Collection [1968-1978] (201  [192kHz/24bit] Label: Capitol | Warner Bros | Roots Rock Country: USA Genre: Rock Quality: FLAC (*tracks) Bitrate: Lossless [48-192kHz/24bit] Time: 17:08:32 Full Size: 12,8 Gb  Cita:
   
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Twittear Seguir a @denunciando
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| SponSor  |  Re: The Band - Albums Collection [1968-1978] (2018) [192kHz/24bit]
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12-05-2019
, 09:03:59
| #812 | ||
| Denunciante Ultra | Warforged - I: Voice (2019) [48kHz/24bit]  Warforged - I: Voice (2019) [48kHz/24bit] Label: The Artisan Era Country: USA Genre: Blackened Death Metal Quality: FLAC (*tracks) Bitrate: Lossless [48kHz/24bit] Time: 1:13:00 Full Size: 898.9 MB Warforged claim to craft progressive blackened death metal that should appeal to fans of Portal, Opeth and Lantlos. The sound concocted here is a creepy, sprawling, stream-of-consciousness kind of blackened death. Haunting shrieks (Adrian Perez) coalesce with dissonant riffs (courtesy of guitarists Max Damske and Jace Kiburz), frenetic drumming (Jason Nitts), eerie keys (Perez again), subterranean bass undercurrents (Alex Damske) and unpredictable song structures to send you running for seventy-three minutes from these forbidden forests into which you have unwittingly wandered.  Cita:
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14-05-2019
, 11:04:50
| #813 | ||
| Denunciante Ultra | Papir - VI (2019) [88.2kHz/24bit]  Papir - VI (2019) [88.2kHz/24bit] Label: Stickman Records Country: Denmark Genre: Psychedelic Rock,Space Rock Quality: FLAC (*tracks) Bitrate: Lossless [88.2kHz/24bit] Time: 0:39:22 Full Size: 780.7 MB Since their self-titled record in 2010, Papir have continued to follow their own road map, creating music with little interest in playing to the masses or catering to a specific genre. While the band's output over the past ten years has varied from epic psychedelic guitar meltdowns a la Earthless to sweeping, reverb-drenched soundscapes, a core of dense rhythm and melody always holds it all together. On VI, Papir show a mastery of all their faces, combining the guitar heroics of their first few records with the more lush sound of last year's V. In a mere 4 songs, Papir once again refresh tired ears with their unmistakable approach to rock music, leaving the listener blissed rather than bludgeoned. Cita:
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16-05-2019
, 11:28:38
| #814 | ||
| Denunciante Ultra | Blazon Stone - Live in the Dark (2019) [44.1kHz/24bit]  Blazon Stone - Live in the Dark (2019) [44.1kHz/24bit] Label: Stormspell Records Country: Sweden Genre: Heavy Metal,Power Metal Quality: FLAC (*tracks) Bitrate: Lossless [44.1kHz/24bit] Time: 0:55:00 Full Size: 691 Mb Cita:
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17-05-2019
, 12:14:14
| #815 | ||
| Denunciante Ultra | Paul McCartney - Egypt Station (2019) [96kHz/24bit]  Paul McCartney - Egypt Station [Explorer's Edition] (2019) [96kHz/24bit] Label: Capitol Records Country: UK Genre: Rock Quality: FLAC (*tracks) Bitrate: Lossless [96kHz/24bit] Time: 01:33:44 Full Size: 1.89 GB Egypt Station - Explorer's Edition is comprised of the original record plus a second album, Egypt Station II. The bonus disc collects all songs released during the Egypt Station voyage , from studio tracks including the surprise single 'Get Enough' to live performances captured at stops such as Abbey Road Studios, The Cavern and Grand Central Station. Cita:
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17-05-2019
, 12:35:57
| #816 | ||
| Denunciante Ultra | Windhand - Grief's Infernal Flower (2015) [96kHz/24bit]  Windhand - Grief's Infernal Flower (2015) [96kHz/24bit] Label: Relapse Records Inc. Country: USA Genre: Doom metal,Stoner metal Quality: FLAC (*tracks) Bitrate: Lossless [96kHz/24bit] Time: 1:11:09 Full Size: 1,45 Gb 2015 is the year doom broke. Albums by Pallbearer, YOB, Bell Witch, and Electric Wizard have garnered exceptional attention for a metal subgenre that's been around...well, forever. Richmond, Virginia's loud-and-proud Windhand, signed with Relapse after Soma, their grimy sophomore album, received rave reviews and made a slew of 2013 year-end lists. Expectations run high for Grief's Infernal Flower. Produced by Jack Endino (Nirvana's Bleach and Soundgarden's Screaming Life), the sound on most of this set is enormous. It may be just a tad less gritty, and the songs are (a bit) tighter and shorter -- there are no half-hour marathons. There is a more expansive approach to the songwriting and vocal production too. Vocalist Dorthia Cottrell's commanding presence bends the riff-o-sonic wall of sludge to her will and reveals more subtle post-psych melodies and actual hooks that lurk within them -- check the stellar "Two Urns" and "Crypt Key." Parker Chandler's uber-low, mega-fuzzed bass throb and Ryan Wolfe's drumming govern the instrumental attack, leaving ample opportunity for guitarists Asechiah Bogdan and Garrett Morris to focus on plodding power riffs and spiral around one another in solos on the epic-length tracks. On the blistering "Forest Clouds," Cottrell rides every circular vamp, rising with more power until it all collapses around her. Windhand attempt a wall-plastering psych-blues groove and syncopation simultaneously on "Tanngrisnir." They only partially succeed but they earn points for the attempt. Cottrell has two solo vocal and acoustic guitar numbers here, "Sparrow" and closer "Aition," which stand with Grief's Infernal Flower's best moments even if they seem like outliers. She released a killer self-titled solo album earlier in 2015; these tracks -- equal parts Townes Van Zandt, Conny Ochs, Steve Von Till, and Jeffrey Lee Pierce -- could have come from those sessions. "Hesperus" is the first of two back-to-back 14-minute jams. Despite its glacial-paced riffing, it eventually erupts in a blackout squall of guitar distortion and dissolute drumming. "Kingfisher" begins more abstractly before the doomy stoner vibe grabs center stage, one Sabbath-esque riff at a time. Cottrell is at her most physical here, using her low range to carve a pronounced melody from the guitar-and-bass attack. It's just as menacing but more alluring, which makes the whole thing more sinister. Grief's Infernal Flower is almost doom-by-the-numbers (which should reassure fans), but Endino's production, Cottrell's vocal confidence and lyricism, and the band's willingness to push its grooves into the red, offer an admirable next step. ~ Thom Jurek Cita:
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17-05-2019
, 12:49:03
| #817 | |||
| Denunciante Ultra | Windhand & Satan's Satyrs - Split (2018) [96kHz/24bit]  Windhand & Satan's Satyrs - Split (201 [96kHz/24bit] Label: Relapse Records Inc. Country: USA Genre: Doom metal,Stoner metal Quality: FLAC (*tracks) Bitrate: Lossless [96kHz/24bit] Time: 0:31:12 Full Size: 654 Mb In 2018, WINDHAND ?begin a new era of gloom and grief and team up with Virginia's Satan's Satyrs for an amp-worshipping, acid trip from hell on an split release due out in February via Relapse! WINDHAND continue to cement themselves as one of the premiere Metal bands of our time. Cita:
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17-05-2019
, 13:23:23
| #818 | ||
| Denunciante Ultra | Windhand - Eternal Return (2018) [96kHz/24bit]  Windhand - Eternal Return (201 [96kHz/24bit] Label: Relapse Records Inc. Country: USA Genre: Doom metal,Stoner metal Quality: FLAC (*tracks,scans) Bitrate: Lossless [96kHz/24bit] Time: 1:02:09 Full Size: 1,18 Gb The Richmond, Virginia-based doom metallers' fifth full-length effort, the behemoth Eternal Return delivers a nuanced and ethereal take on the style that invokes shoegaze, folk, and classic Seattle-era grunge as much as it does the lumbering sonic might of Electric Wizard and Sleep. This is music made for sleet-blasted pine forests and moonlit drives passing abandoned storefronts strewn with faded missing-persons posters. It's Windhand's second time around with famed grunge and alt-rock producer Jack Endino, and like its predecessor, 2015's Grief's Eternal Flower, it sees the band both expanding and crystallizing its sound. This time around, Dorthia Cottrell's vocals are pushed even more to the forefront, lending an air of authority that helps dampen the slow-burn sonic architecture of epics like "Eyeshine" and "Feather," both of which lurch past the ten-minute mark. While the overall pace adheres to the genre's predilection for torpidity, between Cottrell's otherworldly crooning and the band's tasteful melodic touches, there is a certain amount of grace attained, especially on standouts like "Halcyon," "Diablerie," and "Grey Garden." Bluesy, bold, and brooding, Windhand's well-honed sludge/doom aesthetic, which can be suffocating at times, is often ameliorated by underpinnings of classic rock, resulting in something that feels both familiar and fantastical. As fuzzed-out and cacophonous as things get, there is always a clear road established and, more than ever, Windhand sound like they are in complete control of the vehicle, even as the road behind them crumbles into the abyssal gaping maw of some Lovecraftian horror. ~ James Christopher Monger Cita:
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18-05-2019
, 12:07:00
| #819 | ||
| Denunciante Ultra | Restless Spirits - Restless Spirits (2019) [44.1kHz/24bit]  Restless Spirits - Restless Spirits (2019) [44.1kHz/24bit] Label: Frontiers Records s.r.l. Country: Spain Genre: Hard Rock Quality: FLAC (*tracks) Bitrate: Lossless [44.1kHz/24bit] Time: 1:00:08 Full Size: 738.4 MB Cita:
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18-05-2019
, 12:16:15
| #820 | ||
| Denunciante Ultra | First Signal - Line Of Fire (2019) [44.1kHz/24bit]  First Signal - Line Of Fire (2019) [44.1kHz/24bit] Label: Frontiers Records Country: Canada Genre: Hard Rock Quality: FLAC (*tracks) Bitrate: Lossless [44.1kHz/24bit] Time: 0:43:24 Full Size: 553.6 MB Cita:
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92Me Gusta
